SHADOW OF NIGHT, the second book in Deborah Harkness's All Soul's Trilogy hits shelves July 10th. I have a Q & A with Deborah that I would like to share with readers courtesy of Viking. If you haven't read A DISCOVERY OF WITCHES then you don't know what you're missing! This book is FAN-TAB-U-LUS!
A CONVERSATION WITH DEBORAH HARKNESS
Q: A Discovery of Witches debuted at # 2 on
the New York Times bestseller list
with publications following in 37 countries.
What has been your reaction to the outpouring of love for A Discovery of Witches? Was it surprising
how taken fans were with Diana and Matthew’s story?
A. It has been amazing—and a bit overwhelming. I was surprised by how quickly readers embraced two central characters who challenge our typical notion of what a heroine or hero should be. And I continue to be amazed whenever a new reader pops up, whether one in the US or somewhere like Finland or Japan—to tell me how much they enjoyed being caught up in Diana’s world.
A. I was thrilled when Warner Brothers wanted to translate the All Souls trilogy from book to screen. At first I was reluctant about the whole idea of a movie, and it actually took me nearly two years to agree to let someone try. The team at Warner Brothers impressed me with their seriousness about the project and their commitment to the characters and story I was trying to tell. Their decision to go with David Auburn confirmed that my faith in them was not misplaced. As for the casting, I deliberately don’t say anything about that! I would hate for any actor or actress to be cast in one of these roles and feel that they didn’t have my total support. I will say, however, that many of my readers’ ideas involve actors who have already played a vampire and I would be very surprised if one of them were asked to be Matthew!
Q: SHADOW
OF NIGHT opens on a scene in 1590s Elizabethan England featuring the famous
School of Night, a group of historical figures believed to be friends,
including Sir Walter Raleigh and playwright Christopher Marlowe. Why did you choose to feature these
individuals, and can we expect Diana and Matthew to meet other famous figures
from the past?
A. I wrote my master’s thesis on the imagery surrounding Elizabeth I during the last two decades of her reign. One of my main sources was the poem The Shadow of Night by George Chapman—a member of this circle of fascinating men—and that work is dedicated to a mysterious poet named Matthew Roydon about whom we know very little. When I was first thinking about how vampires moved in the world (and this was way back in the autumn of 2008 when I was just beginning A Discovery of Witches) I remembered Roydon and thought “that is the kind of identity a vampire would have, surrounded by interesting people but not the center of the action.” From that moment on I knew the second part of Diana and Matthew’s story would take place among the School of Night. And from a character standpoint, Walter Raleigh, Christopher Marlowe, George Chapman, and the other men associated with the group are irresistible. They were such significant, colorful presences in Elizabethan England.
A. There are a lot
of adults reading young adult books, and for good reason. Authors who
specialize in the young adult market are writing original, compelling stories
that can make even the most cynical grownups believe in magic. In writing A DISCOVERY OF WITCHES, I wanted to
give adult readers a world no less magical, no less surprising and delightful,
but one that included grown-up concerns and activities. These are not your
children’s vampires and witches.
Deborah Harkness is a professor of history at the University of Southern California. She has received Fullbright, Guggenheim, and National Humanities Center fellowships, and her most recent scholarly work is The Jewel House: Elizabethan London and the Scientific Revolution. She also writes an award-winning wine blog.
A CONVERSATION WITH DEBORAH HARKNESS
Q: Last summer, Warner Brothers acquired screen rights
to the trilogy, and David Auburn, the Pulitzer-Prize-winning writer of Proof, has been tapped to pen the
screenplay. Are you looking forward to your
novels being portrayed on the big screen?
What are your favorite casting ideas that you’ve heard from friends and
readers?
Q: SHADOW
OF NIGHT opens on a scene in 1590s Elizabethan England featuring the famous
School of Night, a group of historical figures believed to be friends,
including Sir Walter Raleigh and playwright Christopher Marlowe. Why did you choose to feature these
individuals, and can we expect Diana and Matthew to meet other famous figures
from the past? A. I wrote my master’s thesis on the imagery surrounding Elizabeth I during the last two decades of her reign. One of my main sources was the poem The Shadow of Night by George Chapman—a member of this circle of fascinating men—and that work is dedicated to a mysterious poet named Matthew Roydon about whom we know very little. When I was first thinking about how vampires moved in the world (and this was way back in the autumn of 2008 when I was just beginning A Discovery of Witches) I remembered Roydon and thought “that is the kind of identity a vampire would have, surrounded by interesting people but not the center of the action.” From that moment on I knew the second part of Diana and Matthew’s story would take place among the School of Night. And from a character standpoint, Walter Raleigh, Christopher Marlowe, George Chapman, and the other men associated with the group are irresistible. They were such significant, colorful presences in Elizabethan England.
Q: In
SHADOW OF NIGHT, we learn more about the alchemical bonds between Diana and
Matthew. In your day job, you are a
professor of history and science at the University of Southern California and
have focused on alchemy in your research.
What aspects of this intersection between science and magic do you hope
readers will pick up on while reading SHADOW OF NIGHT?
A. Whereas A
Discovery of Witches focused on the literature and symbolism of alchemy, in
Shadow of Night I’m able to explore
some of the hands-on aspects of this ancient tradition. There is still plenty
of symbolism for Diana to think about, but in this volume we go from
abstractions and ideals to real transformation and change—which was always my
intention with the series. Just as we get to know more about how Elizabethan
men and women undertook alchemical experiments, we also get to see Matthew and
Diana’s relationship undergo the metamorphosis from new love to something more.
Q: SHADOW
OF NIGHT spans the globe, with London, France, and Prague as some of the
locales. Did you travel to these destinations for your research?
A. I did. My historical research has been based in
London for some time now, so I’ve spent long stretches of time living in the
City of London—the oldest part of the metropolis—but I had never been to the
Auvergne or Prague. I visited both places while writing the book, and in both
cases it was a bit like traveling in time to walk village lanes, old pilgrim
roads, and twisting city streets while imagining Diana and Matthew at my side.
Q: Did
you have an idea or an outline for SHADOW OF NIGHT when you were writing A Discovery of Witches? Did the direction change once you sat
down to write it?
A. I didn’t outline either book in the traditional
sense. In both cases I knew what some of the high points were and how the plot
moved towards the conclusion, but there were some significant changes during
the revision process. This was especially true for SHADOW OF NIGHT, although
most of those changes involved moving specific pieces of the plot forward or
back to improve the momentum and flow.
Q: A Discovery
of Witches begins with Diana Bishop stumbling across a lost, enchanted
manuscript called Ashmole 782 in Oxford’s Bodleian Library, whose secrets Diana
and Matthew are still trying to uncover in SHADOW OF NIGHT. You had a similar
experience while you were completing your dissertation. What was the story behind your discovery? And how did it inspire the creation of these
novels?
A. I did discover a
manuscript—not an enchanted one, alas—in the Bodleian Library. It was a
manuscript owned by Queen Elizabeth’s astrologer, the mathematician and
alchemist John Dee. In the 1570s and 1580s he became interested in using a
crystal ball to talk to angels. The angels gave him all kinds of instructions
on how to manage his life at home, his work—they even told him to pack up his
family and belongings and go to far-away Poland and Prague. In the
conversations, Dee asked the angels about a mysterious book in his library called
“the Book of Soyga” or “Aldaraia.” No one had ever been able to find it, even
though many of Dee’s other books survive in libraries throughout the world. In
the summer of 1994 I was spending time in Oxford between finishing my doctorate
and starting my first job. It was a wonderfully creative time, since I had no
deadlines to worry about and my dissertation on Dee’s angel conversations was
complete. As with most discoveries, this discovery of a “lost” manuscript was
entirely accidental. I was looking for something else in the Bodleian’s
catalogue and in the upper corner of the page was a reference to a book called
“Aldaraia.” I knew it couldn’t be Dee’s book, but I called it up anyway. And it
turned out it WAS the book (or at least a copy of it). With the help of the Bodleian’s
Keeper of Rare Books, I located another copy in the British Library.
Q: Are there other lost books like this in the
world?
A. Absolutely! Entire
books have been written about famous lost volumes—including works by Plato,
Aristotle, and Shakespeare to name just a few. Libraries are full of such treasures,
some of them unrecognized and others simply misfiled or mislabeled. And we find
lost books outside of libraries, too. In January 2006, a completely unknown
manuscript belonging to one of the 17th century’s most prominent
scientists, Robert Hooke, was discovered when someone was having the contents
of their house valued for auction. The manuscript included minutes of early
Royal Society meetings that we presumed were lost forever.
Q: Unlike Twilight’s Bella and Edward—hormonal
teenagers who meet in the halls of a high school—your leading characters
Matthew and Diana are established academics who meet in the library of one of
the most prestigious academic institutions in the world. This is a world where vampires and witches
drink wine together, practice yoga and discuss philosophy. Are these characters based on something you
found missing in the fantasy genre?
*CONTEST*
Winner will recieve1 copy of SHADOW OF NIGHT and specially designed “Ashmole 782” temporary tattoo and a set of 6 buttons
Rules: 1 Winner!
Please fill out this FORM!
Contest ends @ 11:59pm (CST) June 8, 2012. US & Canadian Residents only.
